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[Music intro]
LYNNE THOMPSON: Hello! My name is Lynne Thompson, Poet Laureate for the City of Los Angeles, and I’m so happy to welcome listeners to this installment of Poems on Air, a podcast supported by the Los Angeles Public Library. Every week, I’ll present the work of poets I admire, poets who you should know, and poets who have made a substantial and inimitable contribution to the art and craft of poetry.
LYNNE THOMPSON: Today Poems on Air turns its spotlight to Nicaraguan poet, Claribel Alegría. Alegría had a lifelong commitment to nonviolent resistance and was the author of five collections of poetry as well as novels and childrens’ stories. She was a member of Central America’s literary movement of the 1950s and 1960s known as “la generacion comprometida” (the committed generation) and she won Cuba’s Casa de las Américas Prize in 1978 Alt-hough Alegría moved to the U.S. in 1943, she returned to Nicaragua and lived there until her death in 2018.
LYNNE THOMPSON: Today’s poem is "Rain" by Claribel Alegría
"Rain"
As the falling rain trickles among the stones memories come bubbling out. It’s as if the rain had pierced my temples. Streaming streaming chaotically come memories: the reedy voice of the servant telling me tales of ghosts. They sat beside me the ghosts and the bed creaked that purple-dark afternoon when I learned you were leaving forever, a gleaming pebble from constant rubbing becomes a comet. Rain is falling falling and memories keep flooding by they show me a senseless world a voracious world-abyss ambush whirlwind spur but I keep loving it because I do because of my five senses because of my amazement because every morning, because forever, I have loved it without knowing why.
LYNNE THOMPSON: The Los Angeles Poet Laureate was created as a joint program between the City’s Department of Cultural Affairs and the Los Angeles Public Library and this podcast is available wherever you get your podcasts. Thanks for listening!
[Music outro]
- Back to Poems on Air: Episode 91
DISCLAIMER: This is NOT a certified or verbatim transcript, but rather represents only the context of the class or meeting, subject to the inherent limitations of real-time captioning. The primary focus of real-time captioning is general communication access and as such this document is not suitable, acceptable, nor is it intended for use in any type of legal proceeding. Transcript provided by the author.